About Dahlia
DAHLIA SCHWEITZER is a pop culture critic, writer, and professor. Described by Vogue as “sexy, rebellious, and cool,” Schweitzer writes about film, television, music, gender, identity, and everything in between. She studied at Wesleyan University, lived and worked in New York City and Berlin, and completed her MA and PhD at the Art Center College of Design and UCLA. She is currently chair of the Film and Media department at the Fashion Institute of Technology in New York City.
In addition to her books, Dahlia has essays in publications including Cinema Journal, Journal of Popular Film and Television, Hyperallergic, Jump Cut, Quarterly Review of Film and Video, and The Journal of Popular Culture. She has also released several albums of electronic music, including Plastique and Original Pickup.
Professor
As a professor of film and media studies, Dahlia exposes her students to a variety of theoretical approaches and cinematic techniques, asking them to approach both with analytical inquisitiveness. Her aim is to pass her own curiosity on to her students, encouraging them to think across their classes and experiences to create intellectual connections between course materials and the world in which they live. She strives to remind her students that the loudest voice is not necessarily correct, and in so doing, helps them find their own.
Media Critic
Declared “one of the world’s leading analysts of popular culture” by renowned author Toby Miller, Dahlia writes about film, television, music, gender, identity, and everything in between. Her work can be found across mainstream, academic, and emergent channels in both long and short form. Repeatedly drawn to popular culture, Dahlia loves to analyze and unpack cultural artifacts in order to explore how they reflect social and historical issues, as well as looking at how they reinforce or interrogate common cultural assumptions.
Author
Dahlia has written numerous books exploring aspects of film and television. Regardless of the topic—serial killers, private detectives, or even zombies—all of her writing engages directly with questions of self versus other, private versus public space, examining depictions of gender, identity, and race. She traces how these depictions evolve and examines what they mean about our changing world. In her latest project, Dahlia explores the ways haunted homes have become a venue for dramatizing anxieties about family, gender, race, and economic collapse.
Books
Cindy Sherman’s
Office Killer
Going
Viral
L.A.
Private Eyes
Haunted
Homes
Blog
FIT Screening Series Fall 2019: Hail Satan? with director Penny Lane / Oct. 22nd @ 6:30PM
Chronicling the extraordinary rise of one of the most colorful and controversial religious movements in American history, Hail Satan? is an inspiring and entertaining new feature documentary from acclaimed director Penny Lane (Nuts!, Our Nixon). When media-savvy members of the Satanic Temple organize a series of public actions designed to advocate for religious freedom and challenge corrupt authority, they prove that with little more than a clever idea, a mischievous sense of humor, and a few...
Tarantino’s Love Letter to Trump
During his 2016 Presidential campaign, Donald Trump recycled a campaign slogan used several times before (by Ronald Reagan and Bill Clinton). However, when Trump used it, the slogan took an ominous turn. When Trump or his supporters call out to "Make America Great Again," Voice of America argues that it doesn't "just appeal to people who hear it as racist coded language," but that it also directly appeals to "those who have felt a loss of status as other groups have become more empowered." You...
How Madonna Became Gaga (and Gaga Became Stefani)
In 2010, Camille Paglia wrote an essay for The Sunday Times entitled "What's Sex Got To Do With It?" Despite the vagaries of the title, the essay is a pointed and methodical critique of Lady Gaga. One of the primary critiques discussed in the article is Gaga's then preference for corporate-produced over-the-top costumes. Paglia describes as the singer as "a manufactured personality, and a recent one at that." She writes that, in contrast to older photos that "show a bubbly brunette with a...